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Randy Shilts was the preeminent LGBTQ+ reporter of his generation. He was the first openly gay reporter assigned to a…
gay beat at a mainstream paper and one of the nation's most influential chroniclers of gay history, politics, and culture. Shilts wrote three seminal works on the community: The Mayor of Castro Street , on the life, assassination, and legacy of Harvey Milk; And the Band Played On , detailing the failure of politics as usual during the early AIDS epidemic; and Conduct Unbecoming , a history of the US military's mistreatment of LGBTQ service members. Yet the intimate life story of Randy Shilts has been left unwritten. When the Band Played On tells that story, recognizing his legacy as a trailblazing figure in gay activism, journalism, and public policy. The resulting narrative tells the tale of a singularly gifted voice, a talented yet insecure young man whose coming of age became intricately linked to the historic peaks and devastating perils of modern gay liberation. When the Band Played On is the authoritative account of Randy Shilts's trailblazing life, as well as his legacy of shaping the history-making events he covered
In her “witty and searing” first essay collection, award-winning poet Morgan Parker examines “the cultural legacy of Black womanhood and…
the meaning of finding ‘well-being’ in a world that wasn’t built for you” ( Vogue ). Dubbed a voice of her generation, poet and writer Morgan Parker has spent much of her adulthood in therapy, trying to square the resonance of her writing with the alienation she feels in nearly every aspect of life, from her lifelong singleness to a battle with depression. She traces this loneliness to an inability to feel truly safe with others and a historic hyperawareness stemming from the effects of slavery. In a collection of essays as intimate as being in the room with Parker and her therapist, Parker examines America’s cultural history and relationship to Black Americans through the ages. She touches on such topics as the ubiquity of beauty standards that exclude Black women, the implications of Bill Cosby’s fall from grace in a culture predicated on acceptance through respectability, and the pitfalls of visibility as seen through the mischaracterizations of Serena Williams as alternately iconic and too ambitious. With piercing wit and incisive observations, You Get What You Pay For is ultimately a portal into a deeper examination of racial consciousness and its effects on mental well-being in America today. Weaving unflinching criticism with intimate anecdotes, this devastating memoir-in-essays paints a portrait of one Black woman’s psyche—and of the writer’s search to both tell the truth and deconstruct it
By a prize-winning, young Black trans writer of outsized talent, a fierce and disciplined memoir about queerness, masculinity, and race.…
Even as it shines light on the beauty and toxicity of Black masculinity from a transgender perspective—the tropes, the presumptions— Pretty is as much a powerful and tender love letter as it is a call for change. “I should be able to define myself, but I am not. Not by any governmental or cultural body,” Brookins writes. “Every day, I negotiate the space between who I am, how I’m perceived, and what I need to unlearn. People have assumed things about me, and I can’t change that. Every day, I am assumed to be a Black American man, though my ID says ‘female,’ and my heart says neither of the sort. What does it mean—to be a girl-turned-man when you’re something else entirely?” Informed by KB Brookins’s personal experiences growing up in Texas, those of other Black transgender masculine people, Black queer studies, and cultural criticism, Pretty is concerned with the marginalization suffered by a unique American constituency—whose condition is a world apart from that of cisgender, non-Black, and non-masculine people. Here is a memoir (a bildungsroman of sorts) about coming to terms with instantly and always being perceived as “other”
The award-winning author of Magical Negro traces the difficulty and beauty of existing as a Black woman through American history,…
from the foundational trauma of the slave trade all the way up to Serena Williams and the aftermath of Hurricane Katrina&“An engrossing journey through Parker&’s expansive and gifted mind.&”—Clint Smith, author of How the Word Is PassedDubbed a voice of her generation, poet and writer Morgan Parker has spent much of her adulthood in therapy, trying to square the resonance of her writing with the alienation she feels in nearly every aspect of life, from her lifelong singleness to a battle with depression. She traces this loneliness to an inability to feel truly safe with others and a historic hyperawareness stemming from the effects of slavery.In a collection of essays as intimate as being in the room with Parker and her therapist, Parker examines America&’s cultural history and relationship to Black Americans through the ages. She touches on such topics as the ubiquity of beauty standards that exclude Black women, the implications of Bill Cosby&’s fall from grace in a culture predicated on acceptance through respectability, and the pitfalls of visibility as seen through the mischaracterizations of Serena Williams as alternately iconic and too ambitious.With piercing wit and incisive observations, You Get What You Pay For is ultimately a portal into a deeper examination of racial consciousness and its effects on mental well-being in America today. Weaving unflinching criticism with intimate anecdotes, this devastating memoir-in-essays paints a portrait of one Black woman&’s psyche—and of the writer&’s search to both tell the truth and deconstruct it.
By a prize-winning, young Black trans writer of outsized talent, a fierce and disciplined memoir about queerness, masculinity, and race.Even…
as it shines light on the beauty and toxicity of Black masculinity from a transgender perspective—the tropes, the presumptions—Pretty is as much a powerful and tender love letter as it is a call for change. &“I should be able to define myself, but I am not. Not by any governmental or cultural body,&” Brookins writes. &“Every day, I negotiate the space between who I am, how I&’m perceived, and what I need to unlearn. People have assumed things about me, and I can&’t change that. Every day, I am assumed to be a Black American man, though my ID says &‘female,&’ and my heart says neither of the sort. What does it mean—to be a girl-turned-man when you&’re something else entirely?&” Informed by KB Brookins&’s personal experiences growing up in Texas, those of other Black transgender masculine people, Black queer studies, and cultural criticism, Pretty is concerned with the marginalization suffered by a unique American constituency—whose condition is a world apart from that of cisgender, non-Black, and non-masculine people. Here is a memoir (a bildungsroman of sorts) about coming to terms with instantly and always being perceived as &“other&”
In this searing and uplifting memoir, a young Black queer woman fresh out of college adopts her baby brother after…
their incarcerated mother dies, determined to create the kind of family she never had. Nikkya Hargrove spent a good portion of her childhood in prison visiting rooms. When her mother—addicted to cocaine and just out of prison—had a son and then died only a few months later, Nikkya was faced with an impossible choice. Although she had just graduated from college, she decided to fight for custody of her half brother, Jonathan. And fight she did. Nikkya vividly recounts how she is subjected to preconceived notions that she, a Black queer young woman, cannot be given such responsibility. Her honest portrayal of the shame she feels accepting food stamps, her family&’s reaction to her coming out, and the joy she experiences when she meets the woman who will become her wife reveal her sheer determination. And whether she&’s clashing with Jonathan&’s biological father or battling for Jonathan&’s education rights after he&’s diagnosed with ADHD and autism, this is a woman who won&’t give up. Nikkya&’s moving story picks up where Bryan Stevenson&’s Just Mercy left off, exploring generational trauma and pulling back the curtain on family court and poverty in America. Mama is an ode to motherhood and identity, and to finding strength in family and community, for readers of memoirs by Ashley C. Ford, Natasha Tretheway, and Dawn Turner.
A poet&’s &“dazzlingly propulsive&” memoir of growing up Black and gay in Knoxville, Tennessee (Kaveh Akbar, New York Times–bestselling author…
of Martyr!). Darius Stewart spent his childhood in the Lonsdale projects of Knoxville, where he grew up navigating school, friendship, and his own family life in a context that often felt perilous. As we learn about his life in Tennessee—and eventually in Texas and Iowa, where he studies to become a poet—he details the obstacles to his most crucial desires: hiding his earliest attraction to boys in his neighborhood, predatory stalkers, doomed affairs, his struggles with alcohol addiction, and his eventual diagnosis with HIV. Through a mix of straightforward memoir, brilliantly surreal reveries, and moments of startling imagery and insight, Stewart&’s explorations of love, illness, chemical dependency, desire, family, joy, shame, loneliness, and beauty coalesce into a wrenching, musical whole. Be Not Afraid of My Body stands as a compelling testament to growing up Black and gay in America, and to the drive in all of us to collect the fragments of our own experience and transform them into a story that does justice to all the multitudes we contain. &“A memorable portrait of Black gay life, from poverty and adversity to accomplishment and poetry.&” —Kirkus Reviews &“A mammoth creation . . . Just unbelievably rich art right here.&” —Kiese Laymon, New York Times–bestselling author of Heavy
A cheeky how-to guide, as raunchy as it is heartfelt, from a bright new literary voice.A bold and vulnerable collection…
from a new, young voice, How to Fuck Like a Girl is a daring mash-up of pillow book, grimoire, and manifesto by writer Vera Blossom. From hooking up to trans witchcraft, petty crime, capitalism, friendships, divorce, and survival, Blossom brings wit and melancholy, grandeur and smarts, debuting a bright literary voice as raunchy as it is heartfelt. A cheeky how-to guide that earnestly asks if it is possible to fuck oneself into girlhood, How to Fuck Like a Girl is a cult classic in the making.