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LGBTQ+ (biographies), Histoire, Sports et jeux
Audio avec voix humaine
"Michael Waters performs an Olympian act of storytelling, using the stories of these extraordinary athletes to explore in brilliant detail…
the struggle for understanding and equality." —Jonathan Eig, author of King: A Life The story of the early trans athletes and Olympic bureaucrats who lit the flame for today's culture wars. In December 1935, Zdenek Koubek, one of the most famous sprinters in European women's sports, declared he was now living as a man. Around the same time, the celebrated British field athlete Mark Weston, also assigned female at birth, announced that he, too, was a man. Periodicals and radio programs across the world carried the news; both became global celebrities. A few decades later, they were all but forgotten. And in the wake of their transitions, what could have been a push toward equality became instead, through a confluence of bureaucracy, war, and sheer happenstance, the exact opposite: the now all-too-familiar panic around trans, intersex, and gender nonconforming athletes. In The Other Olympians , Michael Waters uncovers, for the first time, the gripping true stories of Koubek, Weston, and other pioneering trans and intersex athletes from their era. With dogged research and cinematic flair, Waters also tracks how International Olympic Committee members ignored Nazi Germany's atrocities in order to pull off the Berlin Games, a partnership that ultimately influenced the IOC's nearly century-long obsession with surveilling and cataloging gender. Immersive and revelatory, The Other Olympians is a groundbreaking, hidden-in-the-archives marvel, an inspiring call for equality, and an essential contribution toward understanding the contemporary culture wars over gender in sports. A Macmillan Audio production from Farrar, Straus and Giroux
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Sports et jeux, LGBTQ+ (biographies), Sports (biographies)
Audio avec voix humaine
By turns harrowing and hopeful, MAKE IT COUNT is the inspiring story of the first openly transgender woman to win…
a NCAA title, following her traditional upbringing in Jamaica, her fight to become a US citizen, and her efforts to achieve her Olympic dreams. CeCé Telfer is a warrior. The first openly transgender woman to win an NCAA championship, she has contended with transphobia on and off the track since childhood. Now, she stands at the crossroads of a national and international conversation about equity in sports, forced to advocate for her personhood and rights at every turn. After spending years training for the 2024 Olympics, Telfer has been sidelined and silenced more times than she can count. But she's never been good at taking no for an answer. MAKE IT COUNT is Telfer's raw and inspiring story. From coming of age in Jamaica, where she grew up hearing a constant barrage of slurs, to beginning her new life in Toronto and then New Hampshire, where she realized what running could offer her, to living in the backseat of her car while searching for a coach, to Mexico, where she trained for the US Trials, this book follows the arc of Telfer's Olympic dream. This is the story of running on what feels like the edge of a knife, of what it means to compete when you're not just an athlete but treated like a walking controversy. But it's also the story of resilience and athleticism, of a runner who found a clarity in her sport that otherwise eluded her—a sense of being simply alive on this earth, a human moving through space. Finally, herself
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LGBTQ+ (biographies), Beaux-arts (biographies), Arts et divertissement
Audio avec voix humaine
A stunning life of the iconic American artist, Keith Haring, by the acclaimed biographer Brad Gooch. In the 1980s, the…
subways of New York City were covered with art. In the stations, black matte sheets were pasted over outdated ads, and unsigned chalk drawings often popped up on these blank spaces. These temporary chalk drawings numbered in the thousands and became synonymous with a city as diverse as it was at war with itself, beset with poverty and crime but alive with art and creative energy. And every single one of these drawings was done by Keith Haring. Keith Haring was one of the most emblematic artists of the 1980s, a figure described by his contemporaries as "a prophet in his life, his person, and his work." Part of an iconic cultural crowd that included Andy Warhol, Madonna, and Basquiat, Haring broke down the barriers between high art and popular culture, creating work that was accessible for all and using it as a means to provoke and inspire radical social change. Haring died of AIDS in 1990. To this day, his influence on our culture remains incontrovertible, and his glamorous, tragically short life has a unique aura of mystery and power. Brad Gooch, noted biographer of Flannery O'Connor and Frank O'Hara, was granted access to Haring's extensive archive. He has written a biography that will become the authoritative work on the artist. Based on interviews with those who knew Haring best and drawing from the rich archival history, Brad Gooch sets out to capture the magic of Keith Haring: a visionary and timeless icon
Braille (abrégé), Braille électronique (abrégé), DAISY Audio (Téléchargement Direct), DAISY Audio (Zip), DAISY texte (Téléchargement direct), DAISY texte (Zip), Word (Zip), ePub (Zip)
Arts et divertissement, Beaux-arts (biographies), LGBTQ+ (biographies)
Audio avec voix de synthèse, Braille automatisé
“It’s all here: the grade school Walt Disney and Dr. Seuss; the adolescent acid trips; the fondness for Post-it notes and…
flying saucers; the long tails of Dubuffet and Burroughs; the encounters with Madonna, Warhol, and one game-changer of a subway Johnny Walker Red poster. Brad Gooch takes us deep into Keith Haring’s imagination while somehow managing to fix the aura and energy of the 1980s New York art scene to the page. A keen-eyed, beautifully written biography, atmospheric, exuberant, and as radiant as they come.”—Stacy Schiff, Pulitzer Prize winning author of The Revolutionary: Sam AdamsA stunning life of the iconic American artist, Keith Haring, by the acclaimed biographer Brad Gooch.In the 1980s, the subways of New York City were covered with art. In the stations, black matte sheets were pasted over outdated ads, and unsigned chalk drawings often popped up on these blank spaces. These temporary chalk drawings numbered in the thousands and became synonymous with a city as diverse as it was at war with itself, beset with poverty and crime but alive with art and creative energy. And every single one of these drawings was done by Keith Haring.Keith Haring was one of the most emblematic artists of the 1980s, a figure described by his contemporaries as “a prophet in his life, his person, and his work.” Part of an iconic cultural crowd that included Andy Warhol, Madonna, and Basquiat, Haring broke down the barriers between high art and popular culture, creating work that was accessible for all and using it as a means to provoke and inspire radical social change. Haring died of AIDS in 1990. To this day, his influence on our culture remains incontrovertible, and his glamorous, tragically short life has a unique aura of mystery and power.Brad Gooch, noted biographer of Flannery O’Connor and Frank O’Hara, was granted access to Haring’s extensive archive. He has written a biography that will become the authoritative work on the artist. Based on interviews with those who knew Haring best and drawing from the rich archival history, Brad Gooch sets out to capture the magic of Keith Haring: a visionary and timeless icon.
Braille (abrégé), Braille électronique (abrégé), DAISY Audio (Téléchargement Direct), DAISY Audio (Zip), DAISY texte (Téléchargement direct), DAISY texte (Zip), Word (Zip), ePub (Zip)
LGBTQ+ (biographies), Sports et jeux
Audio avec voix de synthèse, Braille automatisé
Finalist for the 2024 Los Angeles Times Book Prize for History and the 2025 Mark Lynton History Prize. Named one…
of the Best Books of 2024 by The New Yorker, NPR and BookPage."Michael Waters performs an Olympian act of storytelling, using the stories of these extraordinary athletes to explore in brilliant detail the struggle for understanding and equality." —Jonathan Eig, author of King: A Life, winner of the Pulitzer PrizeThe story of the early trans athletes and Olympic bureaucrats who lit the flame for today’s culture wars. In December 1935, Zdeněk Koubek, one of the most famous sprinters in European women’s sports, declared he was now living as a man. Around the same time, the celebrated British field athlete Mark Weston, also assigned female at birth, announced that he, too, was a man. Periodicals and radio programs across the world carried the news; both became global celebrities. A few decades later, they were all but forgotten. And in the wake of their transitions, what could have been a push toward equality became instead, through a confluence of bureaucracy, war, and sheer happenstance, the exact opposite: the now all-too-familiar panic around trans, intersex, and gender nonconforming athletes. In The Other Olympians, Michael Waters uncovers, for the first time, the gripping true stories of Koubek, Weston, and other pioneering trans and intersex athletes from their era. With dogged research and cinematic flair, Waters also tracks how International Olympic Committee members ignored Nazi Germany’s atrocities in order to pull off the Berlin Games, a partnership that ultimately influenced the IOC’s nearly century-long obsession with surveilling and cataloging gender.Immersive and revelatory, The Other Olympians is a groundbreaking, hidden-in-the-archives marvel, an inspiring call for equality, and an essential contribution toward understanding the contemporary culture wars over gender in sports.
Braille (abrégé), Braille électronique (abrégé), DAISY Audio (Téléchargement Direct), DAISY Audio (Zip), DAISY texte (Téléchargement direct), DAISY texte (Zip), Word (Zip), ePub (Zip)
Arts et divertissement, Essais et documents généraux
Audio avec voix de synthèse, Braille automatisé
Performer, activist, and writer Jill Johnston was a major queer presence in the history of dance and 1970s feminism. She…
was the first critic to identify postmodernism’s arrival in American dance and was a fierce advocate for the importance of lesbians within feminism. In Jill Johnston in Motion, Clare Croft tracks Johnston’s entwined innovations and contributions to dance and art criticism and activism. She examines Johnston’s journalism and criticism—in particular her Village Voice columns published between 1960 and 1980—and her books of memoir and biography. At the same time, Croft attends to Johnston’s appearances as both dancer and audience member and her physical and often spectacular participation at feminist protests. By bringing together Johnston’s criticism and activism, her writing and her physicality, Croft emphasizes the effect that the arts, particularly dance, had on Johnston’s feminist thinking in the 1970s and traces lesbian feminism’s roots in avant-garde art practice.