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An exhilarating, twisted tale of desire, suspicion, and obsession between two women staying in the same house in the Dutch…
countryside during the summer of 1961 - a powerful exploration of the legacy of WWII and the darker parts of our collective past. A house is a precious thing... It is 1961 and the rural Dutch province of Overijssel is quiet. Bomb craters have been filled, buildings reconstructed, and the war is truly over. Living alone in her late mother's country home, Isabel knows her life is as it should be-led by routine and discipline. But all is upended when her brother Louis brings his graceless new girlfriend Eva, leaving her at Isabel's doorstep as a guest, to stay for the season. Eva is Isabel's antithesis: she sleeps late, walks loudly through the house, and touches things she shouldn't. In response, Isabel develops a fury-fueled obsession, and when things start disappearing around the house-a spoon, a knife, a bowl - Isabel's suspicions begin to spiral. In the sweltering peak of summer, Isabel's paranoia gives way to infatuation - leading to a discovery that unravels all Isabel has ever known. The war might not be well and truly over after all, and neither Eva - nor the house in which they live - are what they seem. Mysterious, sophisticated, sensual, and infused with intrigue, atmosphere, and sex, The Safekeep is a brilliantly plotted and provocative debut novel you won't soon forget
“An essential middle grade fantasy where all readers will find heroes to love and to cheer!” —Alex London, author of…
Battle Dragons and The Princess Protection Program“Every kid deserves to see themselves as princesses or knights or whatever role they wish to play, and Nijkamp carves out the space for them to do so. Thoughtful, inclusive, and an outright joy, Splinter & Ash shines; a new classic that belongs on the shelves of every fantasy reader.” —Nicole Melleby, author of Hurricane Season and coeditor of This Is Our Rainbow“Splinter & Ash is a rare gem: a shining example of a fantasy novel that will engage readers of any age.” —A. J. Sass, award-winning author of Ellen Outside the Lines and Ana on the EdgeNew York Times bestselling author Marieke Nijkamp's middle grade prose debut is an immersive medieval fantasy starring queer and disabled young heroes. For two young misfits, a dangerous quest to save their kingdom will also mean saving each other. For fans of B. B. Alston’s Amari and the Night Brothers, Soman Chainani’s School for Good and Evil, and Tamora Pierce’s Tortall books.Ash—or Princess Adelisa—is the youngest child of the queen, recently returned to the city of Kestrel’s Haven after spending six years on the other side of the country. Ash was hoping for a joyous reunion, but the reality is far from it. Her mother is holding the kingdom together by a thread; her brother has only taunts and jibes for her; and court is full of nobles who openly mock and dismiss Ash, who uses a cane and needs braces to strengthen her joints.Splinter is the youngest child of one of Haven’s most prominent families. She’s fierce, determined, and adventurous, and she has her sights set on becoming a knight just like her older brother. Even if everyone says she can’t because she’s not a boy. So what? She’s not a girl, either.A chance encounter throws Ash and Splinter into each other’s orbits and changes the course of the kingdom's history. The princess and her new squire will face bullies, snobs, gossips, and their own disapproving families. But when they uncover a shadowy group of nobles plotting to overthrow the queen, they will show everyone how legends are born. Together.The first in a trilogy, bestselling author Marieke Nijkamp’s medieval fantasy is an action-packed love letter to nonbinary, queer, and disabled kids. Splinter & Ash evokes the classic adventure and atmosphere of fantasies by Lloyd Alexander and Tamora Pierce and the fresh, inclusive lens of writers such as Rick Riordan, Angie Thomas, and Soman Chainani. It invites everyone—no matter who they are or what they look like—to fight for what they believe in.
A coming-of-age comedy. A telenovela-worthy drama. A moving family saga. All in a phone call you won&’t want to hang…
up on. &“A portrait of love, heartache, and hilarity that transcends its medium.&”—Elle (The Best Literary Fiction Books of 2024, So Far)&“Brilliant . . . Melissa Mogollon did not come to play.&”—Kiley Reid, New York Times bestselling author of Such a Fun AgeLONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE&“Yes, hi, Mari. It&’s me. I&’m over my tantrum now and calling you back . . . But first—you have to promise that you won&’t tell Mom or Abue any of this. Okay? They&’ll set the house on fire if they find out . . .&”Structured as a series of one-sided phone calls from our spunky, sarcastic narrator, Luciana, to her older sister, Mari, this wildly inventive debut &“jump-starts your heart in the same way it piques your ear&” (Xochitl Gonzalez). As the baby of her large Colombian American family, Luciana is usually relegated to the sidelines. But now she finds herself as the only voice of reason in the face of an unexpected crisis: A hurricane is heading straight for Miami, and her eccentric grandmother, Abue, is refusing to evacuate. Abue is so one-of-a-kind she&’s basically in her own universe, and while she often drives Luciana nuts, they&’re the only ones who truly understand each other. So when Abue, normally glamorous and full of life, receives a shocking medical diagnosis during the storm, Luciana&’s world is upended.When Abue moves into Luciana&’s bedroom, their complicated bond intensifies. Luciana would rather be skating or sneaking out to meet girls, but Abue&’s wild demands and unpredictable antics are a welcome distraction for Luciana from her misguided mother, absent sister, and uncertain future. Forced to step into the role of caretaker, translator, and keeper of the devastating family secrets that Abue begins to share, Luciana suddenly finds herself center stage, facing down adulthood—and rising to the occasion.As Luciana chronicles the events of her disrupted senior year of high school over the phone to Mari, Oye unfolds like the most fascinating and entertaining conversation you&’ve ever eavesdropped on: a rollicking, heartfelt, and utterly unique novel that celebrates the beauty revealed and resilience required when rewriting your own story.
Winner of the Los Angeles Times' Art Seidenbaum Award for First FictionWinner of the Edmund White Award for Debut FictionWinner…
of the Ferro-Grumley award for LGBTQ FictionFinalist for the 2025 Carnegie Medal for Excellence in FictionFinalist for the VCU Cabell First Novelist AwardA Dakota Johnson x TeaTime Book Club Pick&“Part ghost story, part love story, and part tale of hardscrabble immigrant life.&” —The New YorkerA staggering, tender epic about gay men in rural China and the women who marry them.For over thirty years, Old Second and Bao Mei have cobbled together a meager existence in New York City&’s Chinatown. But unlike other couples, these two share an unusual past. In rural Fuzhou, before they emigrated, they frequented the Workers&’ Cinema: a theater where gay men cruised for love.While classic war films played, Old Second and his countrymen found intimacy in the screening rooms. In the box office, Bao Mei sold movie tickets to closeted men, guarding their secrets and finding her own happiness with the projectionist. But when Old Second&’s passion for his male lover is revealed, a series of haunting events unfold, propelling these characters toward an uncertain future in America.Spanning three timelines—post-socialist China, 1980s Chinatown, and contemporary New York—Cinema Love is an &“exceptional" and "moving&” (Alice Hoffman) epic about men and women who find themselves in forbidden relationships; the weight of secrets; and the way memory forever haunts the present.
* SHORTLISTED FOR THE 2024 BOOKER PRIZE * * WINNER OF THE NATIONAL JEWISH BOOK AWARD FOR DEBUT FICTION *…
* WINNER OF THE 2025 WOMEN&’S PRIZE FOR FICTION * Shortlisted for the 2025 Dylan Thomas Prize and Aspen Words Literary Prize • A Best Book of 2024: The New York Times, The Washington Post, Los Angeles Times, Time, The Economist, The Globe and Mail (Toronto), Kirkus Reviews, The Independent, BookPage, The Sunday Times (London) &“Remarkable…Compelling…Fine and taut…Indelible.&” —The New York Times • &“Moving, unnerving, and deeply sexy.&” —Tracy Chevalier, author of Girl with the Pearl Earring • &“A brilliant debut, as multi-faceted as a gem.&” —Kirkus Reviews A &“razor-sharp, perfectly plotted&” (The Sunday Times, London) tale of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961—a powerful exploration of the legacy of WWII and the darker parts of our collective past.A house is a precious thing... It is 1961 and the rural Dutch province of Overijssel is quiet. Bomb craters have been filled, buildings reconstructed, and the war is truly over. Living alone in her late mother&’s country home, Isabel knows her life is as it should be—led by routine and discipline. But all is upended when her brother Louis brings his graceless new girlfriend Eva, leaving her at Isabel&’s doorstep as a guest, to stay for the season. Eva is Isabel&’s antithesis: she sleeps late, walks loudly through the house, and touches things she shouldn&’t. In response, Isabel develops a fury-fueled obsession, and when things start disappearing around the house—a spoon, a knife, a bowl—Isabel&’s suspicions begin to spiral. In the sweltering peak of summer, Isabel&’s paranoia gives way to infatuation, leading to a discovery that unravels all Isabel has ever known. The war might not be well and truly over after all, and neither Eva—nor the house in which they live—are what they seem. Mysterious, sophisticated, sensual, and infused with intrigue, atmosphere, and sex, The Safekeep is &“a brave and thrilling debut about facing up to the truth of history, and to one&’s own desires&” (The Guardian).