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Ouvrages documentaires canadiens
Audio avec voix de synthèse, Braille automatisé
In 2017, when the public agency Waterfront Toronto decided to put up a parcel of land for development, Sidewalk Labs,…
a subsidiary of Google’s Alphabet Inc., swept in with a proposal to create the city of the future. Waterfront Toronto jumped at the opportunity to advance housing sustainability and affordability by exploring Alphabet’s innovative technology and data-driven techniques. But the project quickly started to fall apart from uneasy partnerships, sclerotic local politics, and an overwhelmingly negative public response.In this biting comedy about the failure to build a smart city in Toronto, Michael Healey lampoons the corporate drama, epic personalities, and iconic Canadian figures involved in the messy affair between Sidewalk Labs and Waterfront Toronto. Based on the bestselling exposé, Sideways: The City Google Couldn't Buy by Josh O’Kane, The Master Plan exposes the hubris of big tech, the feebleness of government, and the dangers of public consultation with sharp wit and insightful commentary.
Braille (abrégé), Braille électronique (abrégé), DAISY Audio (CD), DAISY Audio (Téléchargement Direct), DAISY Audio (Zip), DAISY texte (Téléchargement direct), DAISY texte (Zip), Word (Zip), ePub (Zip)
Biographies, Politique et gouvernement, Essais et documents généraux
Audio avec voix de synthèse, Braille automatisé
&“Black Boys Like Me ignited parts of me I honestly didn't believe any book could ever know. . . .…
Seldom do incredibly titled books earn their titles. Matthew R. Morris earns this classic title with a classic book about our insides.&” —Kiese Laymon, author of Heavy Startlingly honest, bracing personal essays from a perceptive educator that bring us into the world of Black masculinity, hip-hop culture, and learning.This is an examination of the parts that construct my Black character; from how public schooling shapes our ideas about ourselves to how hip-hop and sports are simultaneously the conduit for both Black abundance and Black boundaries. This book is a meditation on the influences that have shaped Black boys like me.What does it mean to be a young Black man with an immigrant father and a white mother, teaching in a school system that historically has held an exclusionary definition of success?In eight illuminating essays, Matthew R. Morris grapples with this question, and others related to identity and perception. After graduating high school in Scarborough, Morris spent four years in the U.S. on multiple football scholarships and, having spent that time in the States experiencing &“the Mecca of hip hop and Black culture,&” returned home with a newfound perspective.Now an elementary school teacher himself in Toronto, Morris explores the tension between his consumption of Black culture as a child, his teenage performances of the ideas and values of the culture that often betrayed his identity, and the ways society and the people guiding him—his parents, coaches, and teachers—received those performances. What emerges is a painful journey toward transcending performance altogether, toward true knowledge of the self.With the wide-reaching scope of Desmond Cole&’s The Skin We&’re In and the introspective snapshot of life in Between the World and Me by Ta-Nehisi Coates, Black Boys Like Me is an unflinching debut that invites readers to create braver spaces and engage in crucial conversations around race and belonging.
Braille (abrégé), Braille électronique (abrégé), DAISY Audio (CD), DAISY Audio (Téléchargement Direct), DAISY Audio (Zip), DAISY texte (Téléchargement direct), DAISY texte (Zip), Word (Zip), ePub (Zip)
LGBTQ+ (romans)Journaux personnels et mémoires, Biographies
Audio avec voix de synthèse, Braille automatisé
&“Maurice Vellekoop's beautiful graphic memoir feels painfully honest. It's about art and life and families and belief, about who we…
are and what forms us, the magic and the hurt, and it evokes times that are well-lost while reminding us of the battles still being fought every day. Most of all, I think, it's about love.&” —Neil GaimanFor fans of Fun Home by Alison Bechdel, I&’m So Glad We Had This Time Together is an epic graphic memoir about a queer illustrator surviving his intensely Christian childhood in 1970s Toronto.Meet little Maurice Vellekoop, the youngest of four children raised by Dutch immigrants in the 1970s in a blue-collar suburb of Toronto. Despite their working-class milieu, the Vellekoops are devoted to art, music, and film, and they instill a deep reverence for the arts in young Maurice—except for literature. He&’d much rather watch Cher and Carol Burnett on TV than read a book. He also loves playing with his girlfriends&’ Barbie dolls and helping his Mum in her hair salon, which she runs out of the basement of their house. In short, he is really, really gay. Which is a huge problem, because the family is part of the Christian Reformed Church, a strict Calvinist sect. They go to church twice on Sunday, and they send their kids to a private Christian school, catechism classes, and the Calvinist Cadet Corps. Needless to say, the church is intolerant of homosexuality. Though she loves her son deeply, Maurice&’s mother, Ann, cannot accept him, setting the course for a long estrangement. Vellekoop struggles through all of this until he graduates from high school and is accepted into the Ontario College of Art in the early 1980s. Here he finds a welcoming community of bohemians, including a brilliant, flamboyantly gay professor who encourages him to come out. But just as he&’s dipping his toes into the waters of gay sex and love, a series of romantic disasters, followed by a violent attack, sets him back severely. And then the shadow of the AIDS era descends. Maurice reacts by retreating to the safety of childhood obsessions, and seeks to satisfy his emotional needs with film- and theatre-going, music, boozy self-medication, and prolific art-making. When these tactics inevitably fail, Vellekoop at last embarks on a journey towards his heart&’s true desire. In psychotherapy, the spiderweb of family, faith, guilt, sexuality, mental health, the intergenerational fallout of World War II, King Ludwig II of Bavaria, French Formula Hairspray, and much more at last begins to untangle. But it&’s going to be a long, messy, and occasionally hilarious process. I&’m So Glad We Had This Time Together is an enthralling portrait of what it means to be true to yourself, to learn to forgive, and to be an artist.